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Double end handle with burnisher
Double end handle with burnisher, black palm and african padauk (one off)
Double end handle with burnisher, black palm and african padauk (one off)
Premium line : The quality of technical range, the elegance of a jewel.
Burnisher in agate stone or hematite stone. Shape of the stone and ergonomic handle designed to be used for printmakers (steel, copper, zinc). Hold vertically like a pen, or horizontally like classical burnisher. You can choose two types of stone (agate or hematite) and 5 stone shapes (cone, truncated cone, flattened stone). Special shape or stone on request. Glossy shellac. Comes with black felt pouch. If ever you accidentally break the stone, you can send me your burnisher for a stone replacement.
Why a double end handle ?
Two tools in one, it can be useful when traveling, and it is € 20 less than buying two separate tools. The weight of the tool is also slightly higher, but it is lighter tools that handle 100% metal.
How to choose your tool ?
Start by choosing a handle, and then choose the appropriate tools for your job. Double end tools without burnishers, with two tools to choose from, are available here. Single and double agate burnishers are available here.
I offer three types of tools for these handles
- Etching needles -> select "Etching needle / Extra soft tungsten carbide drypoint" option. This tip gently glides on the ground, and you will get extremely fine lines. It will also allow you to work directly as drypoint, unvarnished, for sensitive grays.
- Drypoints, available in three different materials (see below)
- Ceramic scrapers, available in two sizes. They are used as pencils, not horizontally like conventional scrapers. Ceramics also allows scrape copper easily and with a very good finish.
How to choose your drypoint
I offer 5 types of drypoint in three different materials
- Diamond drypoints can be considered as the reference point. The diamond can be used for both gray than black. They incise steel, copper or zinc without difficulty. The work is remarkable flexibility. The only drawback is the relative weakness of the junction between diamond and steel from the rest of the tip. They need to be hold fairly vertically.
- Tungsten carbide drypoint come in three different sharpening. The "incisive" version engrave copper deeper than diamond, and is very suitable for a specific work of black, with beautiful regular burrs. The softer version slides without resistance on the plate and allows to get sensitive gray. The intermediate carbide can be an alternative to the diamond tip if you do not want to risk breaking.
- The ceramic drypoint ? Even softer than the diamond but less incisive, it is unique to make very sweet burrs. It often becomes the favorite tip engravers, but leads to be accompanied by a more incisive tip for deep blacks.
Why choose a stone burnisher ?
The stone burnishers are commonly used in jewelery for polishing metal, copper or other. Industrially, stone are more difficult to manufacture, this probably explains that it is rarely used for modern prints tools. My stone burnishers are positioned on the niche of small burnishers for details work. They are hold like a pen, or horizontally. Stones does not rust, and they are much harder than the materials used to make metal burnishers. They are maintenance free.
What kind of stone ?
Stones have a natural grain that gives them specific polishing / scraping characteristics. These features are commonly used for sharpening tools, but much less for burnishers. I propose two types of stone, agate and hematite. On request I can make burnisher in a synthetic stone. Agate and hematite are harder than the metals commonly used for burnisher, very resistant under the pressure of burnishing, on the other hand they are brittle to shocks. To give an idea of the hardness, on the Mohs scale, the diamond has a hardness of 10, the agate 7, the hematite about 6. A knife blade about 5, a nail about 2.
Agate and hematite are traditionally used in jewelry and other trades involving polishing, from the needles of luxury watches to aircraft engines. The agate polishes perfectly, and has an extremely fine natural grain, which makes it possible to perfectly polish metals. The hematite is also polished perfectly, but observed under a microscope a very slightly grained surface is observed. On a metal plate, it gives the feeling of less slipping and being softer than agate. It seems that in printing, one can get better whites with hematite than agate.
On request I propose a synthetic stone which has a very slight abrasive. This abrasive characteristic makes burnishing much more effective, but does not polish perfectly. This stone gives a very light grip on the plate, and allows a better control of the gesture. It is a very good complement of agate, especially in a mezzotint. It is between the scraper and the burnisher.
What shape of stone ?
The shape will depend on the use. I currently propose 5 shapes for each stone. In general, it is necessary to use the burnishers with a moderate pressure (beginning of process) to very light (to complete the polishing). The smaller the area of contact between the stone and the plate, the less pressure must be used. Too much pressure will mark the metal with the shape of the stone. With rounded burnishers, the contact surface is always quite small, which is why I propose truncated burnishers, or with flat surfaces. The flat parts increase the contact area with the plate and help to polish properly, without mark and without wave. If this is your first agate burnisher, I recommend the "Flattened & curved" stone, in addition you can also take the "superfine cone, 1mm truncated", or the "superfine cone, flat end". If you wish a double burnisher, with the two types of stone, go to this page
From left to right :
- Rounded cone : Classic shape of burnisher, you can use the end or the sides.
- Superfine cone : Only for extremely fine details. The most difficult shape to use. In upright position, use only caressing the plate to not mark the metal.
- Superfine cone, flat end : Allows almost as much finesse as the version without flat end, but the flat end helps polish. Designed to be used vertically.
- Superfine cone, 1mm truncated : A larger contact area (tip diameter about 1-1.5mm) for more gradual and easier burnishing.
- Flattened & curved (agate only for the moment) : Allows a gradual burnishing for gradients in mezzotint, but can also be used with a lot of pressure for dry point corrections etc. (nevertheless always finish the burnishing with less pressure)
Agates | Hematites |
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Zoom on the shape "Flattened & curved"
What is the difference between a burnisher and scraper ?
Both tools are used to brighten an area. A burnisher will move the metal, and in particular with the burrs make bu drypoints, or in mezzotint. The tool itself should be perfectly polite to leave no micro raure on the plate. A scraper is a cutting tool which removes material. The shape of the cutting stops must be perfect to cut without scratching. Both tools are complementary.
You prefer to buy handle single tool ?
Burnishers are here, and drypoint / etching needle / scrapers here
And durability ?
The materials that I use for my tips are the hardest in the industrial field. Nevertheless, all materials eventually wear out. But your handle is not lost: you can order a replacement tip at very affordable rates.
If problems occur
The tip does not match your usage? Any inconvenience? Do not hesitate to contact me.
More information on choosing your tool
Feel free to contact me by email or on social networks
See also Drypoints presentation
Drypoint tip refill - 18,00 € (EUR)
Replacement burnisher stone - 10,00 € (EUR)